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The film was produced and directed by Gratien Gélinas, who also plays the lead role of Fridolin, and who also wrote the screenplay. It is of course a parody of the novel by Alexandre Dumas fils, La dame aux camélias . As the press noted in 1942: “…the work is a real revenge of Quebec popular culture on French classical culture” or even “ Fridolin sticks his tongue out at France!”. The film is like a bomb. We must not forget that at the time of the premiere, Gratien Gélinas was one of the most influential authors in the province. His plays were performed in French in Quebec, and in English across Canada.

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A servant girl, given in marriage when she turns out to be pregnant, can't bring herself to live away from her master.

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A humorous series of pseudo-documentary using real footage to tell fake story, pushing the “lying“ aspect to unexplored limits. Those half an hour fiction look truer than true because it present not only well established stars from Quebec in their own role, but also a maximum of archives, footage and real elements known to public. The series is always surfing on the thin line between fiction and reality, without ever falling in absurd excess or being totally unbelievable.

German explorer and naturalist Alexander von Humboldt (1769-1859) was born two hundred and fifty years ago. This is an opportunity to retrace the eventful life of a pioneer of scientific exploration, whose astonishing capacity for work and impressive physical stamina enabled him to understand nature in its entirety.

The ever-present parade of prostitution, drug dealing and murder is choking the life out of a world-weary, middle-aged Paris cop (Le Flic), who has seen too much and done too little to clean up his precinct of the criminal vermin that now torment him. After 25 years as a plain-clothes vice detective, his own life begins to existentially wear out its welcome. His main informant (Remy le Rat) works for a local drug-lord (Le Turc) who supplies drugs to the neighborhood prostitutes, who all work for a mysterious madam and nightclub owner known as La Contesse. Le Flic is desperately trying to arrest, convict and lock-up the elusive Le Turc, if only to redeem his own futile, unfulfilled life. Between Remy's web of lies and Le Flic's own jealousy of Le Turc's lifestyle, we are able to peer through the cracks of this tormented cop's sick psyche and glimpse his personal philosophy of fractured fatalism.